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Touma is a Japanese artist and designer known for his distinctive urban and edgy art toys. He gained prominence in the designer toy scene with his signature sharp, angular aesthetics and stylized, anthropomorphic characters that often have a rebellious or mischievous look. Many of his figures have oversized, curved claws instead of hands, giving them a dynamic and aggressive stance. His designs often have a street-art aesthetic, blending elements of graffiti, hip-hop, and Japanese pop culture. Touma frequently designs animal-human hybrids, masked warriors, and robotic creatures with a sleek, futuristic look. Touma’s art toys are popular among urban vinyl collectors, kaiju fans, and designer toy enthusiasts who appreciate bold, dynamic, and highly stylized figures. Thomas Han was born in 1979 in Taiwan, and he spent his formative years in San Francisco. He now resides in Los Angeles where he finds himself an oddball embraced by the evolving art scene. Han is known for his colorful, character-driven silk screens and paintings. He takes all the destruction and hedonism in today's world and channels it into his art. These highly original works are the culmination of a process he calls "Tradigital." Han believes his work can comfort people from the growing vices facing society. He is a walking, talking contradiction, yet he is also a hopeless believer. On the surface, his work appears cute, but seething just underneath are serious subjects like pain and addiction. Thomas' message of want, desire, addiction, and the curious world of exaggerated pop and color are all wrapped up into well-perfected imperfections of candy-coated pieces Giclée (pronounced "zhee-clay") is a neologism for the process of making fine art prints from a digital source using ink-jet printing. The word "giclée" is derived from the French language word "le gicleur" meaning "nozzle", or more specifically "gicler" meaning "to squirt, spurt, or spray". It was coined in 1991 by Jack Duganne, a printmaker working in the field, to represent any inkjet-based digital print used as fine art. The intent of that name was to distinguish commonly known industrial "Iris proofs" from the type of fine art prints artists were producing on those same types of printers. The name was originally applied to fine art prints created on Iris printers in a process invented in the early 1990s but has since come to mean any high quality ink-jet print and is often used in galleries and print shops to denote such prints.