Jeff Soto Unverified Artist Portfolio
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DCon (Designer Con) : 2014

Designer Con is an annual art and design convention that smashes together collectible toys and designer apparel with urban, underground and pop art!

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SDCC : 2014

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Decay and Overgrowth

Jonathan LeVine Gallery is pleased to announce Decay and Overgrowth, a series of new works by Southern California based artist Jeff Soto, in what will be his fourth solo exhibition at the gallery. Expanding upon the themes explored previously in Lifecycle, Soto’s solo 2010 exhibition, works in Decay and Overgrowth deal with the passage of time, early man and life after death, as well as primitive myths and legends attempting to explain the unknown. Two of Soto’s grandparents passed away within the last year, prompting the artist to research how different cultures explain life and death. Attempting to celebrate their lives rather than mourn their deaths, he has been working these ideas into his paintings. A connective thread of mortality runs throughout the work, conveying themes such as the transient nature of life, brevity of the average lifetime and inevitability of death. Soto selected symbols of hope and growth to symbolize the cycle of life, death and rebirth. Organic shapes and elements such as mountains, plants, flowers, rocks and crystals are juxtaposed with manmade objects such as cell phone towers, weapons, polished gems and modern architecture. The resulting imagery combines a bit of magic, unanswered questions and a glimpse into the unknown. In the words of the artist: “I’ve been thinking more than ever about how our lives are short, fleeting and unexpected. I've been researching man's migration across the planet, our domestication of plants and animals and the slow evolution of different cultures. I find it interesting that each generation adds their own small part to our collective human experience. I'm continually fascinated by mankind’s relationship to nature and how humans have been bending the environment in good and bad ways for tens of thousands of years.”

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Sea No Evil : 2012

Sea No Evil, an art show benefit to raise awareness of the oceanic conservation needed through out the world, for the sole benefit of Sea Shepherd Conservation Society to continue their aggressive campaigns to end the illegal whaling in Antarctica, the bloody seal hunt in Canada, dolphin slaughter in Japan and illegal shark finning in the Galapagos. What started as a misguided whale watching excursion, has become a powerful vein of support to create change and awareness touching the entire world. By bringing together like minded artists and art enthusiasts, we hope to give each observer the opportunity to be apart of a something bigger then one. The action of many magnifies the voice of one.

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Love & Hate

For our very first show of 2012 we will be celebrating...and mourning... Valentines Day with an exhibition entitled 'Love & Hate' This will be a group show with mixed media pieces from various artists, as well as a few brand new screen print releases.

  • Dates: February 10, 2012 | March 4, 2012
  • Venue: StolenSpace
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Inle

Who or what is INLE? In 1974, Richard Adam's wrote the beloved classic "Watership Down". It is a tale about overcoming the obstacles of life that try to beat you into submission and coming out on top, told through the unlikely embodiment of rabbits. Upon reading the book at a young age, one particular thread stood out to me. The story of "The Black Rabbit of Inle". It was on page 280 of this book that my Grandfather had gotten for me on a road trip that the story of Inle´ unfolds. The fear he induced in the rabbits who told tales of him is not much unlike our own fears of death and what is unknown. I always questioned was their fear based upon him or the inevitability of their own demise, and was it something to fear or welcome after a long life lived? With this book began my over 24 year obsession with using rabbits as a tool in my art. Upon relating my memories of this book with some artist friends of mine, I wasn't surprised to find they had similar attachments to the story and subsequent movie and that it too was a huge influence on their work. The question is asked over and over "what inspires you and your art?". Well here is one aspect, and In my attempt to keep this story alive and in honor of Richard Adam's timeless story we are proud to present "INLE". -Greg "Craola" Simkins

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Storm Clouds

Jonathan LeVine Gallery is proud to announce Storm Clouds, a solo exhibit of new works by Jeff Soto and the artist’s second major show at the gallery. Storm Clouds features over thirty new works on wood panel and paper, as well as large-scale installations that will focus on the theme of politics, fear, and fatherhood. Storm Clouds is Jeff Soto’s most politically charged exhibition to date. For Storm Clouds, Jeff Soto explores his predominant fears and anxieties over his daughter’s future, the civil war in Iraq, and the United States policies on environmental conservation. Soto’s concern for the American population’s indifference and a general disconnection to global affairs are motivating factors behind his overtly mature subject matter. Storm Clouds is ripe with metaphors that allude to the fate of the planet should neglect and indifference prevail. Soto’s expressive narratives evoke inherent contradictions, crossing between notions of a precarious and fragile natural world on the brink of extinction with one that is an indestructible, organic mass. Executed with a sophisticated mélange of graffiti and mixed media techniques, Jeff Soto’s paintings permeate with influences of popular culture, science fiction, and memories of nuclear war. Illustrating these notions, Soto creates a futuristic world where ominous clouds dominate, exotic plants struggle to survive, and colored prisms symbolize hope amidst desolate landscapes. Soto’s creatures, floating gardens, and religious symbols exist in entangled masses, revealing a civilization’s decline, destruction, and efforts to regenerate. In this surreal universe, an inevitable ice age has befallen, humans are extinct and fantastic robotic creatures flourish. Swarms of oil-like cloud formations expand on themes of death and decay, while subtle and bold use of text emphasizes the artist’s most intense trepidations and desires. Jeff Soto was born in 1975 in Fullerton, California. He currently lives and works in Riverside, California. In 2002, he graduated with distinction from Art Center College of Design in Pasadena, California. In 2008, his work was the subject of a solo exhibition at the Riverside Art Museum titled Turning in Circles. His work has been exhibited in galleries throughout the United States and Europe. Soto has been featured in numerous publications and published two monographs: Potato Stamp Dreams in 2005 and Storm Clouds in 2008.

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The Vader Project

The Vader Project is a reimagining of the iconic Darth Vader helmet curated by Dov Kelemer and Sarah Jo Marks of DKE Toys (dketoys.com). Kelemer and Marks gathered close to 100 of the hottest underground and pop surrealist painters, artists, and designers to participate. For this unique project each artist was given a 1:1 scale authentic prop replica of the actual Darth Vader helmet used in the STAR WARS™ films. The helmets served as a blank canvas for each artist to paint, design, mash up, and customize.

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The Paint Ball

The event featured customized 20-inch Dunnys and Super Fat Caps by more than 120 artists, celebrities, and companies. An auction will take place on eBay the very same day, with proceeds going to the Save the Children charity. The event also marked the debut of a new, temporary location of Kidrobot NY store, as the flagship store closed this weekend and undergoes a major renovation.

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