Coop finished high school, skipped art school, and arrived in Los Angeles in the late 80’s where he immediately got to work subverting the mainstream. Chances are good you’ve seen some manifestation of his merchandising juggernaut: smoking devils, devil-girls, hotrods, space aliens or monsters on posters, t-shirts, hats, stickers, stationery sets, skate boards, toys, shot glasses, Zippo lighters, and so much more.
He’s done roughly 100 posters, including rock posters for Nirvana, Soundgarden, The Sex Pistols and many others, and album cover art for everyone from the Monomen to the Ramones.
The first edition of The Devil’s Advocate, his full-color book was released to an immediate sellout in November 2001, and went immediately into continuous reprint. Coop’s second book, THE BIG FAT ONE, a 1008-page sketchbook, was released in October 2002. According to Juxtapoz Magazine, Coop’s name is “now more recognizable to modern youth than that of Rembrandt.“
He cites Robert Williams, R. Crumb and Eric Stanton as some of his favorites and great influences, in addition to Big Daddy Roth, Irving Klaw, Wally Wood, Gil Elvgren, and a host of other degenerates.
Cleveland’s Rock and Roll Hall of Fame houses two of Coop’s posters in its permanent collection. He was also commissioned to customize an Escalade and design a run of limited edition gambling chips for the Hard Rock Casino in Las Vegas.
