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Up until I was 21 years old, I didn’t care about the Internet. But now, 15 years later, I can pretty much credit the Internet with everything leading up to this article. I tried traditional routes of applying for art jobs back in the mid 90’s. I sent out portfolios and made multiple attempts at getting my comics published, but those only led to rejection. Around that time I started blindly experimenting with the Internet out of boredom and realized immediately that I could anonymously spread around my art on every message board and social networking site without having to face the fear of rejection because I wasn’t trying to really DO anything with my art. I just wanted people to see it in hopes of getting some feedback, even if that feedback was critical and hateful…which it was. But it was helpful. Continuing to jump on as many social networking sites as they appeared, and disciplining myself to actually UTILIZE them was, for me, the most important thing I did in establishing the art career that I have now. So when I got asked by Juxtapoz to curate this Halloween issue, and to additionally be featured and interviewed for it,Giclée (pronounced "zhee-clay") is a neologism for the process of making fine art prints from a digital source using ink-jet printing. The word "giclée" is derived from the French language word "le gicleur" meaning "nozzle", or more specifically "gicler" meaning "to squirt, spurt, or spray". It was coined in 1991 by Jack Duganne, a printmaker working in the field, to represent any inkjet-based digital print used as fine art. The intent of that name was to distinguish commonly known industrial "Iris proofs" from the type of fine art prints artists were producing on those same types of printers. The name was originally applied to fine art prints created on Iris printers in a process invented in the early 1990s but has since come to mean any high quality ink-jet print and is often used in galleries and print shops to denote such prints.Hours: Wed - Sun: 11 AM - 6 PM Mon & Tues: Closed