Atame

Miss Van started wall-painting in the streets at the age of 18, initiating the feminine movement in street art. Miss Van’s sultry female characters began to pop up on city center walls in the mid 1990s, they instantly possessed a timeless quality, as if women had always painted such graffiti in the streets. She is now exhibiting all around the world from NY to LA, Europe (France, Switzerland, Germnay, Spain, Italy, UK, etc.), and Asia. She has shown in art centers and museums as the city gallery of Schwaz in Austria (curator : Karin Perrnegger), the Baltic Art Center in the UK or the Von der Heydt Museum, Kunsthalle in Wuppertal, Germany. She has shown with some of the greatest artists now as Os Gemeos, Mike Giant, Banksy, Faile, Shepard Fairey, Barry Mcgee, Ryan McGinness, Takashi Murakami, Ed Templeton, and many others. An artist’s impact is truly felt when their work becomes so familiar that it’s hard to remember what the world was like without it. When the Toulouse native and current Barcelona resident. As Caleb Neelon puts it “An artist’s impact is truly felt when their work becomes so familiar that it’s hard to remember what the world was like Giclée (pronounced "zhee-clay") is a neologism for the process of making fine art prints from a digital source using ink-jet printing. The word "giclée" is derived from the French language word "le gicleur" meaning "nozzle", or more specifically "gicler" meaning "to squirt, spurt, or spray". It was coined in 1991 by Jack Duganne, a printmaker working in the field, to represent any inkjet-based digital print used as fine art. The intent of that name was to distinguish commonly known industrial "Iris proofs" from the type of fine art prints artists were producing on those same types of printers. The name was originally applied to fine art prints created on Iris printers in a process invented in the early 1990s but has since come to mean any high quality ink-jet print and is often used in galleries and print shops to denote such prints.