Bad Apple

Dripping with the original spirit of punk and a relentless flood of socially, politically and consciously engaged ideas, French artist Goin is priming the charges and leaving creativity’s spark to light the fuse of a new humanist activism. Emancipation, liberation, rebellion and the punishing vagaries of power’s endless cycles of corruption run deep into his work as powerful aesthetics take shape under the conceptual hammer. Laced with a superbly black sense of humour and a forcefulness - a viceral energy that bursts off his pieces Goin’s work wreaks chaos onto order and snatches moments of lucid disorder out of the volatile forge of history’s spiral. Based at the radically creative, open air temple of mutation, the Demeure de Chaos or Abode of Chaos near Lyon, Goin spins concept, critique and cognition into an ever fluctuating flurry of media, subverting mass media through innovative media as stencils, paints and sculptures whistle through the eye of vandal kits, blood filled spray cans and molotov cocktails. Urgent, militant, uncompromising and anarchic - in every sense of the word - from the tearing down of authority to the ultimately idealist vision of redemption through self actualised awareness where expression pierces smokescreen and art rides conscience into Stencil technique in visual art is also referred to as pochoir. A related technique (which has found applicability in some surrealist compositions) is aerography, in which spray-painting is done around a three-dimensional object to create a negative of the object instead of a positive of a stencil design. This technique was used in cave paintings dating to 10,000 BC, where human hands were used in painting hand print outlines among paintings of animals and other objects. The artist sprayed pigment around his hand by using a hollow bone, blown by mouth to direct a stream of pigment.