DCC 2015 Emilio Garcia x JPK Exclusive Colab Giclee Print

A striking illustration that is split into two halves. On the left side, there is a detailed depiction of a human brain, showcasing its intricate folds and structure. On the right side, there is a skull with a prominent, menacing expression. The skull is crossed by two bones, forming an "X" shape, which is reminiscent of the classic pirate or "skull and crossbones" symbol. The juxtaposition of the brain and the skull creates a compelling visual contrast between life and death, or perhaps the duality of human nature.Born into the greyness of England at the end of the Seventies, by the age of four Jon-Paul Kaiser knew that what he wanted to do in life was a draw. From that point he rarely strayed from that path; scribbling and doodling his way through School, College and University. After working with Porlzilla, Jon-Paul decided to go it alone concentrating at first on the toy customization scene, building up a name and strong reputation for himself with his stark Black & White custom style, influenced by comic book art, film noir & Ukiyo-e prints. This lead to him being approached by established toy producers for designs for their platform toys. Principally amongst these are Toy2R who have released numerous JPK Platforms. Giclée (pronounced "zhee-clay") is a neologism for the process of making fine art prints from a digital source using ink-jet printing. The word "giclée" is derived from the French language word "le gicleur" meaning "nozzle", or more specifically "gicler" meaning "to squirt, spurt, or spray". It was coined in 1991 by Jack Duganne, a printmaker working in the field, to represent any inkjet-based digital print used as fine art. The intent of that name was to distinguish commonly known industrial "Iris proofs" from the type of fine art prints artists were producing on those same types of printers. The name was originally applied to fine art prints created on Iris printers in a process invented in the early 1990s but has since come to mean any high quality ink-jet print and is often used in galleries and print shops to denote such prints. Emilio Garcia was born in Tarragona in 1981, where he studied at the School of Art and Design EADT. While pursuing his studies, he worked in various traditional animation studios in Barcelona as a layout artist and illustrator. Since 1999, he has worked as a freelance art director for international companies such as Berlitz Corporation, Hitachi, Diesel, Inditex, Metro, Vans, and The North Face, specializing in user interface design and interactive content. His work has been published in several editions of Web Design Index by Pepin Press & Agile Rabbit (2002–08) and Taschen's 1000 Favorite Websites (2003), among others. During this time, he developed a deep interest in visual culture and its intersection with technology. In 2008, inspired by the brain's remarkable capacity to adapt and reorganize itself, he transitioned to sculpture, with neuroplasticity becoming a central theme in his work.