Elephant's Dream

Founded In 1991, originally as Copro/Nason Fine Arts began as an entity to curate art exhibitions at museums and local galleries and publish lithograph & silk-screen prints. The first contemporary cutting edge artists that Copro/Nason worked with were Mark Ryden, Robert Williams, Big Daddy Roth, Shag, Pizz, Von Dutch, Coop and many others. In 1999 Copro/Nason Gallery was opened In Culver City and soon transcended the limits of Lowbrow. By incorporating gothic-inspired visons of fantasy, horror, and surrealistic excesses into an ambitious program, mixing acknowledged masters with newer talents such as Sas Christian, Amy Sol, Audrey Kawasaki, Lori Earley and many others Copro/Nason soon began to take shape. Oil paint is a type of slow-drying paint that consists of particles of pigment suspended in a drying oil, commonly linseed oil. The viscosity of the paint may be modified by the addition of a solvent such as turpentine or white spirit, and varnish may be added to increase the glossiness of the dried film. Oil paints have been used in Europe since the 12th century for simple decoration, but were not widely adopted as an artistic medium until the early 15th century. Common modern applications of oil paint are in finishing and protection of wood in buildings and exposed metal structures such as ships and bridges. Its hard-wearing properties and luminous colors make it desirable for both interior and exterior use on wood and metal. Due to its slow-drying properties, it has recently been used in paint-on-glass animation. Thickness of coat has considerable bearing on time required for drying: thin coats of oil paint dry relatively quickly. far back as I can remember I have always been drawn to self expression through visual arts. As a young girl, growing up in Memphis, Tennessee, I was not exposed to any classical surreal artist until I attended Overton High School for the performing and Visual Arts. Before that I was raised around an “old school” Harley Davidson shop that my father and his brother owned.I spent many summers helping my father there at the shop and watching him build Harley motorcycles from the ground up and then painted the gas tanks ( and anything else he could find on the motorcycle) with fantasy images that were inspired by such artist as Franzetta and Boris Valleo. I then became fascinated with the beautiful, powerful and sexy women that these artist created. I was accepted into Otis Parsons in Los Angeles. After only two month of training my father had become terminally ill and I was forced to return home to Memphis. I was never able to return to school but could not deny the artist in me the opportunity for expression just because I had never been formally trained. Over the years I researched techniques of the “Old Masters” such as Leonardo