Miasma’s Trill

Giclée (pronounced "zhee-clay") is a neologism for the process of making fine art prints from a digital source using ink-jet printing. The word "giclée" is derived from the French language word "le gicleur" meaning "nozzle", or more specifically "gicler" meaning "to squirt, spurt, or spray". It was coined in 1991 by Jack Duganne, a printmaker working in the field, to represent any inkjet-based digital print used as fine art. The intent of that name was to distinguish commonly known industrial "Iris proofs" from the type of fine art prints artists were producing on those same types of printers. The name was originally applied to fine art prints created on Iris printers in a process invented in the early 1990s but has since come to mean any high quality ink-jet print and is often used in galleries and print shops to denote such prints.The exposed work is based, mainly, in the study of abjection. Most specifically in the corpse, wich alludes to illness, dirt and waste. It threatens the integrity and stability of the viewer, attracted by the drawings developed from traditional techniques and obsessively intricate in detail, which results in an evocative imaginary, thus being stimulating and pleasant when contemplating, but when assimilated, provokes rejection due to the moral barrier of our social context. This is done almost exclusively in order to violate the moral basis of the viewer, leading him to dissolve the inconvenience of morality and turning him into an accomplice of the enjoyableness of death.