Ofelia's Mandrake

Yosiell Lorenzo’s work fits into that saying: “never judge a book by its cover”. At first glance, his artwork is all cuteness: cupcakes, cherries and candy. But beneath the facade of frosting and the rainbow sprinkles camouflage, a sadness is stirring. Yosiell uses sweetness to reel us in. Once he has us in his saccharine net, we settle and see beyond the surface: these are cheerless creatures. They are all searching for love. The Sicklings are a troop of Yosiell’s recurring characters who are particularly mopey and needy. Rendered in sexless simplicity, the Sicklings function like anthropomorphic feelings: Frustration, loneliness, despair…Often the Sicklings wear masks. Yosiell uses masks as a device throughout his paintings and three dimensional work. The masks represent dual and hidden identities, as well as society’s attempts to label individuals who resist categorization. Yosiell has dealt with these identity issues first hand. As a gay, Puerto Rican artist, he was often told that he didn’t “look gay” or he was a “fake Rican”. Yosiell was introduced to art in his youth during a time when hip hop and graffiti defined urban culture. Growing up in Bridgeport, CT, he’d hop the train to New York and absorb it all. InAcrylic paint is fast drying paint containing pigment suspension in acrylic polymer emulsion. Acrylic paints can be diluted with water, but become water-resistant when dry. Depending on how much the paint is diluted (with water) or modified with acrylic gels, media, or pastes, the finished acrylic painting can resemble a watercolor or an oil painting, or have its own unique characteristics not attainable with other media.Hours: Wed - Sun: 11 AM - 6 PM Mon & Tues: Closed