Rebuked Retribution

In his youth, Bryan Collins valued drawing as a refuge. He regarded art as a way to unravel the mysteries floating around his mind. Upon observing the work of M.C. Escher, Bryan realized the immensely profound ability for art to communicate with parts of the mind, otherwise untouchable. He began to study artists such as Van Gogh, Dr. Suess, Norman Rockwell, and Dali. In his early teens he dove deeply into the world of comic books. In his late teens he was captivated by the imagination of Tim Burton. Art was everything to Bryan, because it gave him a voice. Then, in his early twenties, Bryan took on an apprenticeship at a tattoo shop and thought he had reached his dream. However, the tattoo field proved to be restrictive and itchy for him. There were so many rules that began to make Bryan's art stiff, rigid, and lifeless. Everything he drew had to be interpretable as a tattoo. It wasn't allowing him to experiment with the pushing out of boundaries, so he left the field. Afterwards, a detour was taken from art and he chased a career in music. Bryan joined a band called Jeremiah's Grotto and began touring from Giclée (pronounced "zhee-clay") is a neologism for the process of making fine art prints from a digital source using ink-jet printing. The word "giclée" is derived from the French language word "le gicleur" meaning "nozzle", or more specifically "gicler" meaning "to squirt, spurt, or spray". It was coined in 1991 by Jack Duganne, a printmaker working in the field, to represent any inkjet-based digital print used as fine art. The intent of that name was to distinguish commonly known industrial "Iris proofs" from the type of fine art prints artists were producing on those same types of printers. The name was originally applied to fine art prints created on Iris printers in a process invented in the early 1990s but has since come to mean any high quality ink-jet print and is often used in galleries and print shops to denote such prints.