SDCC '15 Mr. Gloom

Having grown up on the West Coast most of my life and coming from a family of uber ‘antique’ collectors and artists, my eclectic upbringing was filled with a wide range of ’Pop’ ephemera. Many of those inspirations now show up in my work and stem from the backdrop of my childhood. The Subject of my paintings is a world of side-show icons, deviant Animalia, and ‘masked’ glorified cartoon alter egos. I utilize these icons and character cultures as antithetical counterparts to what we are lead to believe as being innocent and socially acceptable. Although misfits on the surface, a sense of relation is understood, secret from the public - we are all misfits; hiding behind animated personas, odd and beautifully unusual. Who is it that we relate to? The lonely little boy hiding in a bear suite, the evil lustful pool-hall wolf, the sexualized little girl who secretly wants more. The environment and its limited population are meant to conjure these questions, the viewers are confronted with fi Screen printing is a printing technique that uses a woven mesh to support an ink-blocking stencil. The attached stencil forms open areas of mesh that transfer ink or other printable materials which can be pressed through the mesh as a sharp-edged image onto a substrate. A roller or squeegee is moved across the screen stencil, forcing or pumping ink past the threads of the woven mesh in the open areas. Screen printing is also a stencil method of print making in which a design is imposed on a screen of silk or other fine mesh, with blank areas coated with an impermeable substance, and ink is forced through the mesh onto the printing surface. It is also known as silkscreen, seriography, and serigraph.