Sweet Lime

Spoke Art is San Francisco’s newest art gallery and publishing house. Following a year of pop up exhibits in New York City, San Francisco and Oakland, we have finally settled down into our new permanent space on Sutter Street in San Francisco’s dynamic Lower Nob Hill neighborhood. We specialize in emerging new contemporary artists with a firm emphasis on figurative and illustrative works. Our regular exhibits open the first Thursday of every month, and we specialize in connecting collectors with secondary market works namely in the fields of pop surrealism, low brow and street art.Tim Doyle is an illustrator and print-maker working out of Austin, Texas. Growing up in the suburban sprawl of the Dallas area, he turned inward and sullen, only finding joy in comic-books and television and video games. Moving to Austin, Texas in 1999 to fulfill a life-long dream of not living in Dallas, Doyle begun painting and showing in galleries in 2001. He self-published a diary zine, ‘Amazing Adult Fantasy’ from 2001-2003. Doyle has held many nerd-friendly jobs, including running a small chain of comic-book stores, as well as designing t-shirts and art-directing the poster series for the Alamo Drafthouse Cinema. Doyle left ‘jobs’ behind and launched his company- Nakatomi Inc in January of 2009. In the Summer of 2009, Tim Doyle along with artist Clint Wilson built their own screen printing studio, Nakatomi Print Labs, in which they and other artists work out of. Since then, he has produced art for companies such as Creature Design, The Astor Theatre, ABC/Disney’s Lost Poster project, Mattel’s He-Man art show in LA, has had artwork used by Lucasfilm/ILM, Hasbro, IDW, and really needs to finish that thing for NASA. For reals. Outer space stuff. Doyle also provided all theScreen printing is a printing technique that uses a woven mesh to support an ink-blocking stencil. The attached stencil forms open areas of mesh that transfer ink or other printable materials which can be pressed through the mesh as a sharp-edged image onto a substrate. A roller or squeegee is moved across the screen stencil, forcing or pumping ink past the threads of the woven mesh in the open areas. Screen printing is also a stencil method of print making in which a design is imposed on a screen of silk or other fine mesh, with blank areas coated with an impermeable substance, and ink is forced through the mesh onto the printing surface. It is also known as silkscreen, seriography, and serigraph.