Team Detroit

From our experience, collecting valuable art does not have to break the bank or require a trip to New York, London, or LA's hottest contemporary gallery. 1xRUN is working with leading established and emerging artists providing weekly limited edition, signed, authentic and exclusive print runs. These print releases, or RUNS, are open for one week only. Once it closes, the work is produced to the specifications and quantity sold in the RUN. Mixed media tends to refer to a work of visual art that combines various traditionally distinct visual art media. For example, a work on canvas that combines paint, ink, and collage could properly be called a "mixed media" work. When creating a painted or photographed work using mixed media it is important to choose the layers carefully and allow enough drying time between the layers to ensure the final work will have integrity. If many different media are used it is equally important to choose a sturdy foundation upon which the different layers are imposed. Many interesting effects can be achieved by using mixed media. Often, found objects are used in conjunction with traditional artist media, such as paints and graphite, to express a meaning in the everyday life. In this manner, many different elements of art become more flexible than with traditional artist media. Bask is the moniker of one, Ales Bask Hostomsky, who along with his parents emigrated from Czechoslovakia to Florida and began to soak up America’s popular iconic imagery along with the sun. He quickly began to notice similarities between the communistic iconic propaganda from his youth and the consumer advertising of his teens. Bask soon discovered that they were simply, two sides of the same coin. Each vying for our short-lived attention spans, all the while selling us (or telling us?) anything and everything from Marxism to McDonalds. Seeking conspiracies -and finding them embedded in the popular iconography of the mass media, Bask began painting bold, media critical broadsides to assuage his fear of being manipulated. A fear cultivated in a repressive regime, had now returned, but to the most unlikely and safest of places- The American living room. The artist’s richly textural work imbue his “anti-iconic,” sometimes satirical worldview with an undercurrent of dark emotion. His canvases are the city’s flotsam and jetsam of industrial and consumer decay. Combining his graphic skill with his trademark multi-layered applications, Bask builds up the surface only to break down the image. “My art is a type of deconstruction,” says Bask, “I try to