That's A Damn Fine Coat Your'e Wearing No.1

Phone Booth Gallery began organizing and curating art exhibitions in April 2008. Migrating all around Southern California, and now located on Broadway in Long Beach, we have since become known worldwide for our unique stable of artists, our modest method of operation, and our exceptional selection of printed art editions. The “Originals” section of the site is a small sampling of the work we have available outside of our normal exhibition schedule, but if you are looking for a specific piece or work by a certain artist, we will do our best to fulfill special requests. Many of the artists we work with are available for commissions, and we love working on new projects. Screen printing is a printing technique that uses a woven mesh to support an ink-blocking stencil. The attached stencil forms open areas of mesh that transfer ink or other printable materials which can be pressed through the mesh as a sharp-edged image onto a substrate. A roller or squeegee is moved across the screen stencil, forcing or pumping ink past the threads of the woven mesh in the open areas. Screen printing is also a stencil method of print making in which a design is imposed on a screen of silk or other fine mesh, with blank areas coated with an impermeable substance, and ink is forced through the mesh onto the printing surface. It is also known as silkscreen, seriography, and serigraph. The art of Dutch artist Handiedan (1981, Netherlands) involves a complex cut and paste mixture of computer montage and highly detailed sculptural hand cut collages, complimented by conscientiously collected antique ornamental frames. Build out of multiple classic pin-up body parts, the female form stands out over a backdrop of baroque and Victorian Neo-Classicism designs. All culled from international currencies and stamps, antique sheet music ornaments, playing cards, cigar bands, Asian papers with personal items and drawings. Intricate and meticulously crafted, the collages represent the gradual accumulation of both the layers in her work and her work process self. Handiedan first builds up her digital design out of the gathered collage material and drawings. Then she rebuilds the design into a meticulously crafted multi layered hand cut collage with precisely added items. A complex visual puzzle and labyrinth of collage and paper layers, interchangeably intermixed, that stands out in relief. Handiedan works in series. This suffices as an eclectic personal exploration or review of her main design's journey and process. With each piece on either paper, antique wood or rusty metal, or a different size, containing different collage elements and details result in a different story, emotion and time dimension within each piece. When