The Graveyard Print

OhNo!Doom is a Chicago artist collective made up of designers, illustrators and plush artists (who all work creative jobs during the week). The group operates an art gallery-shop in Bucktown, that showcases it’s members work as well as other artists from around the world and is home to ON!D's designer toy and clothing line. This space also does triple duty as the collective’s design studio headquarters. The OhNo!Doom Collective is: Oscar Alatorre, Max Bare, Joseph Call, Lana Crooks, Jordan Owen and Andrew Thompson.A group exhibition where artists pick a video game (be it arcade or family console) from their past or present and reinterpret in their individual vision. "Super Button Mashers" addresses the history of gaming culture and its effect on today's generation. Virtually and physically, the "Arcade" represents the town meeting ground and social arena, comparable to that of the circus, festival and neighborhood fair of their day. Featuring artwork from: Aya Kakeda, Alex Willan, Ben Spencer (Galaxxor), Blütt, Brandon Garrison, Brian Keller, Brian Stuhr, Brian Walline, Brianne Drouhard, Cory Benhatzel, CZR PRZ, David Palumbo, David Rettker, Eric Broers (phoneticontrol), Glen Brogan, Isaac Bidwell, James Lui (Veggiesomething), Jason Castillo, Jenny Frison, Joe Shea, Joey D, Jordan Elise (Horrible Adorables), Lana Crooks, Leeanna Butcher, Luisa Castellanos (Pocket Pals), Martin Hsu, Matt Hawkins (Custom Paper Toy), Matthew Ryan Sharp, Max Bare, Melissa Sue Stanley, Mike Budai, Mike Graves, Mr. Walters, Natalie Blue Phillips, Nathan West, Sean Dove, Shawn Smith, Shayne Labadie, Steff Bomb, Stephanie Laberis, Tyler Coey, Yosiell Lorenzo & The Plush Team. + more!Giclée (pronounced "zhee-clay") is a neologism for the process of making fine art prints from a digital source using ink-jet printing. The word "giclée" is derived from the French language word "le gicleur" meaning "nozzle", or more specifically "gicler" meaning "to squirt, spurt, or spray". It was coined in 1991 by Jack Duganne, a printmaker working in the field, to represent any inkjet-based digital print used as fine art. The intent of that name was to distinguish commonly known industrial "Iris proofs" from the type of fine art prints artists were producing on those same types of printers. The name was originally applied to fine art prints created on Iris printers in a process invented in the early 1990s but has since come to mean any high quality ink-jet print and is often used in galleries and print shops to denote such prints.