The Only Way is Up

Jon creates vibrant, neo primitive scrawls of shapes and colour. He’s pushed his monster-like characters into compositions where cartoon-like forms are crammed on top of each other until they create a screaming mass of energy. Intensely prolific, he has pushed the character obsession of the late 90s back into fashion and to another level. Working across a variety of mediums that includes drawing, painting, print, animation, large scale murals and toy design, his art retains a hand-made, hand-drawn quality. A sense of British self-deprecation, dry humour and modern-day anxiety imbues his work. He has exhibited internationally since 2001 and has work in the permanent collections of The Victoria and Albert Museum and The Science Museum in London. He lectures at Universities and presented his work at the prestigious Pictoplasma Character Design Conference (Berlin, 2006). He has received two D&AD Silver award nominations and has worked on many commercial projects for high profile organisations including: Cadbury, Pepsi, MTV, Levis and Rip Curl. In 2011, Jon relocated from Nottingham, UK to Brooklyn, NY. Screen printing is a printing technique that uses a woven mesh to support an ink-blocking stencil. The attached stencil forms open areas of mesh that transfer ink or other printable materials which can be pressed through the mesh as a sharp-edged image onto a substrate. A roller or squeegee is moved across the screen stencil, forcing or pumping ink past the threads of the woven mesh in the open areas. Screen printing is also a stencil method of print making in which a design is imposed on a screen of silk or other fine mesh, with blank areas coated with an impermeable substance, and ink is forced through the mesh onto the printing surface. It is also known as silkscreen, seriography, and serigraph.