Though Your Breath May Wail And Coil Sometimes Your Hymn Sounds Beautiful To Me

Oil paint is a type of slow-drying paint that consists of particles of pigment suspended in a drying oil, commonly linseed oil. The viscosity of the paint may be modified by the addition of a solvent such as turpentine or white spirit, and varnish may be added to increase the glossiness of the dried film. Oil paints have been used in Europe since the 12th century for simple decoration, but were not widely adopted as an artistic medium until the early 15th century. Common modern applications of oil paint are in finishing and protection of wood in buildings and exposed metal structures such as ships and bridges. Its hard-wearing properties and luminous colors make it desirable for both interior and exterior use on wood and metal. Due to its slow-drying properties, it has recently been used in paint-on-glass animation. Thickness of coat has considerable bearing on time required for drying: thin coats of oil paint dry relatively quickly. "Operating on the edge between street and highbrow art, Fatica’s world is dark and devoid of highbrow puffery, instead depicting a surreal, nihilistic future inspired more by David Lynch’s Eraserhead than the bright futurism explored at the 1939 World’s Fair". -Orlando Weekly '09 His paintings have been called, “a sublime blend of Tim Burton and Botticelli” by the Baltimore Examiner. Patrick Fatica attended Ringling School of Art and Design in Sarasota, FL from 1990 to 1994. He moved to Orlando, Florida in 1995 and spent the first few years developing a production company with a few friends called Eat Cake Productions. He went on to direct several original plays and the 16mm film “Five Miles from Heaven,” which appeared in film festivals around the country. After completing the film, he and his two business partners designed, opened and ran 2 music venues on the east side of Orlando and downtown Orlando called Back Booth. After almost a decade of traveling down different artistic paths, Patrick picked up the paintbrush again and dedicated himself to his painting. Phoenix Sun Times said about his solo Wind-Up Gallery exhibition, “We can’t think of anything more delightful than indulging in meticulously rendered prurient fantasies. This stuff