Can I help if I'm in Love?

Niagara is a musician and a painter. Combining an illustrator's hand with some collage and pop iconography, Niagara's style began to take shape in earnest during the early 90's as she was beginning to show in small exhibits and cafes around the Detroit area. It was during this time that Niagara teamed up with the Detroit gallery CPop in 1996. Her first exhibits "All Men Are Cremated Equal" (1996) and "Faster Niagara, Kill...Kill" (1997) were breakout shows which garnered her regional praise . Soon art periodicals such as Juxtapoz were heralding her as "The Queen Of Detroit" and many successful exhibits would follow in other cities like Los Angeles, New York, San Francisco, Sydney and Tokyo to name but a few. "The Niagara Girl," who appears in many female guises, would come to represent feminist swagger with drop dead gorgeous looks and an equally dangerous demeanor. Hard-boiled, tough talking gals who would rather dispatch a man than put up with any of his antics. Her bold and colorful post-pulp comic strip countenances of femme fatales in various depictions of malfeasence was culturally solidified by Callie Khoury's Thelma and Louise, which shares a kindred spirit with Niagara's subjects, along with pin-up girls The Vader Project is a reimagining of the iconic Darth Vader helmet curated by Dov Kelemer and Sarah Jo Marks of DKE Toys (dketoys.com). Kelemer and Marks gathered close to 100 of the hottest underground and pop surrealist painters, artists, and designers to participate. For this unique project each artist was given a 1:1 scale authentic prop replica of the actual Darth Vader helmet used in the STAR WARS™ films. The helmets served as a blank canvas for each artist to paint, design, mash up, and customize.