Cult Skull

Up until I was 21 years old, I didn’t care about the Internet. But now, 15 years later, I can pretty much credit the Internet with everything leading up to this article. I tried traditional routes of applying for art jobs back in the mid 90’s. I sent out portfolios and made multiple attempts at getting my comics published, but those only led to rejection. Around that time I started blindly experimenting with the Internet out of boredom and realized immediately that I could anonymously spread around my art on every message board and social networking site without having to face the fear of rejection because I wasn’t trying to really DO anything with my art. I just wanted people to see it in hopes of getting some feedback, even if that feedback was critical and hateful…which it was. But it was helpful. Continuing to jump on as many social networking sites as they appeared, and disciplining myself to actually UTILIZE them was, for me, the most important thing I did in establishing the art career that I have now. So when I got asked by Juxtapoz to curate this Halloween issue, and to additionally be featured and interviewed for it, Screen printing is a printing technique that uses a woven mesh to support an ink-blocking stencil. The attached stencil forms open areas of mesh that transfer ink or other printable materials which can be pressed through the mesh as a sharp-edged image onto a substrate. A roller or squeegee is moved across the screen stencil, forcing or pumping ink past the threads of the woven mesh in the open areas. Screen printing is also a stencil method of print making in which a design is imposed on a screen of silk or other fine mesh, with blank areas coated with an impermeable substance, and ink is forced through the mesh onto the printing surface. It is also known as silkscreen, seriography, and serigraph. Hours: Wed - Sun: 11 AM - 6 PM Mon & Tues: Closed